Vibesware GR-1 Manual de usuario Pagina 9

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touching the strings. By the way: As we all know, new strings are essential for rich
string harmonics. This holds true particularly with feedback harmonics !
4.4 Some string vibration basics
Perhaps you would like to understand more about the dependencies of driven
feedback harmonics, Resonator position, phase and pickup selection ? In that
case, the theory of stationary waves might help.
The fundamental tone has one antinode with a maximum amplitude at the half
length. Then the first octave occurs which has two antinodes, showing maximums
at 1/4 and 3/4. At 1/3 we can see three antinodes which can be found in the tone
as the quintal from the first octave. The second octave shows at 1/4 length and
the third from the second octave at 1/5. The third octave has six antinodes. The
overall tone is given by the superposition of key tone and all these harmonics. The
percentages of the key tone and the harmonics depend on the guitar
characteristics (body, bridge etc.), the string(s), the notes played and also the way
you strike the strings. The quality of the strings (old or new) also affects the
harmonics mix. These pictures also show the phase shifting along the string
length (the dashed lines mean the backward string movement). The first octave
for example can move in the opposite direction to the key tone along the neck.
This explains why the feedback turns from the key note to the first octave when
shifting the Resonators phase.
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