2.2 On Stage
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Perfect for total control and always reproducible feedback on stage.
Independent from monitor settings and amplifier gain. This makes fantastic
results possible on large or small stages. Even if using head sets instead of
stage monitors.
●
There is no need to turn away from the audience to your amp speaker for
getting feedback. Simply move the neck of your guitar towards the
Resonator for instant feedback. You can also fix the Resonator together with
a microphone on the same stand. Extensive feedback sounds are possible
whilst facing your audience.
●
If you plug your guitar directly into the PA, feedback from the monitor never
sounds as warm and rich as natural feedback from the guitar speaker. With
Guitar Resonators you will always get the same amazing sound, even in this
configuration.
2.3 New ways of playing
With a little practice, you will explore many new ways of feedback playing:
●
Lead notes passing into feedback harmonics instantly make your playing
much more powerful and exciting. The sound is very fluid and expressive
when feedback is made whilst bending strings. During sustained feedback
the harmonics can be changed by moving the Resonator to another neck
position. This total control of feedback is delightful and cannot be achieved
with normal amplifier feedback techniques. Generally, it is a matter of luck
when searching for the desired harmonics, often your feedback is out of
control when using high distortion sounds or extensive sound volumes. This
is probably one of the reasons, why exact feedback tones are rarely
embedded in lead compositions. In most cases, there is no time in lead
phrases to wait for the feedback.
●
Feedback tones create a more atmospheric playing style. The GR can be a
most effective therapy for taming high speed players and encouraging
tasteful sustaining passages. Following the less is more principle, sustaining
notes with vibrato and variations of harmonics yield important points of
interest between speed phrases. These points of interest give the guitarist
total freedom for expression by using feedback together with vibrato,
bending and tremolo !
●
Outstanding feedback can be generated from clean/crunch sounds !
Feedback from high gain settings is to be expected but feedback with
crunch or clean sounds is out of this world ! Cleaner guitar sustain
transitioning into feedback is more distinctive and interesting within the
4
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